Art Diplomacy in the Middle East

Authors

  • Hamideh Jafari Department of Art, ST.C., Islamic Azad University, Tehran, Iran. Author

Keywords:

Art Diplomacy, Middle East, Artists, Foreign Policy.

Abstract

Throughout history, artistic expressions from the Middle East have been deeply shaped by the political and societal transformations occurring in the region. Iran has strategically utilized its diplomatic channels to impact artistic representation through a culture-oriented approach. The most significant artistic trends, such as modern art, contemporary art, and Islamic art, each uniquely portrayed the distinctive characteristics and challenges prevalent in the region. During this specific period, Iran's international diplomatic strategies were fundamentally constructed around Islamic ideological principles, with a strong focus on cultural identity and representation. The primary objectives were to foster regional unity and challenge Western dominance.   Simultaneously, both internal and external pressures prompted shifts in diplomatic strategies. Art from the Middle East, shaped by this complex context, increasingly explored themes of cultural identity, contemporary life, and historical traditions. While some artists critically examined the prevailing circumstances, others aimed to reconnect with and celebrate the region's cultural roots. Accordingly, this research employs a descriptive and analytical approach to investigate how art diplomacy might contribute to peace-building in the strategically significant Middle Eastern region.

References

Akhgar, Majid (2010). Globalization, Iranianization. Quarterly Journal of the Artist’s Profession, 33, pp. 30-10.

Afsarian, I. (2010). Fear of Backwardness and Defense Mechanism. Quarterly Journal of the Artistic Profession, 33, 2-9.

Ansarizadeh, B., & Marathi, M. (2016). Study of the function of “title” in visual works of conceptual art. Letter of Visual and Applied Arts, 9(18), 5-22.

Entessar, N. (2009). Kurdish politics in the Middle East. Rowman & Littlefield.

Hatamirad, M. (2006). The Foreign Policy of the Islamic Republic of Iran from the Perspective of the Supreme Leader. Hasoon Magazine, 10, p. 154.

Hamedi, M., Moridi, M. R., & Kamrani, B. (2023). Cultural History Approach to Middle Eastern Art: (The Concept of Otherness in the Works of Iranian and Arab Artists). Quarterly Journal of Islamic History Studies, 15(56).

Hamedi, M., Moridi, M. R., & Kamrani, B. (2021). Middle Eastern Art in the Transmodern Paradigm: A Comparative Analysis of Three Currents in Contemporary Visual Arts of the Middle East. Journal of Comparative Art Studies, 11(22), 1-16.

Hassanvand, M. K. (2022). Social analysis of the conceptual art movement in Iran. Theoretical foundations of visual arts, 7(1), 97-112.‎

Lawrie, W. (2008). The Middle East and North Africa. In THE INTERNATIONAL ART MARKETS, Consultant Editor JAMES GOODWIN, Kogan Page, London and Philadelphia.

Mojtahedzadeh, P. (2021). Changing the strategic map of the Middle East; An opportunity to maintain Iran's geopolitical advantages. Two Quarterly Scientific Journals of Geographical Territories of the New Century, 1, 2-6.

Moridi, M. R. (2018). Cultural Discourses and Artistic Currents of Iran (First Edition). Tehran: Aban Book Publishing.

Mostafavi, Sh. (2010). The World of Iranian Images from a Foreign Perspective (Athari, M. Trans.). The Artist’s Profession, issue 33, pp. 45-37.

Naqvi, S. S. (2023). Life, Art, and Politics: Pakistan and Social Misrepresentations.

Pappé, I. (2014). The modern Middle East: A social and cultural history. Routledge.

Pourjavadi, N. (2018). Being-Giving. The First Persian Book in Ontology. Modern Literary Studies, 51(200), 17-26.

Rahbarnia, Z., & Noori, A. (2019). Audience Influence of Society on Perception of Interactive Art Works Based on Wendy Griswold's Theory. Painting Graphic Research, 3(4), 86-97.

Shaygan, D. (2019). At the Crossroads of Worlds (Pour Hosseini, B. Trans.). Quarterly Journal of the Artist’s Profession, 33, 31-32.

Taheri, M., Afzal Toosi, E., & Nozari, H. A. (2019). Analysis of Critical Theory in Postmodern Socio-Political Art Discourse. Visual Arts (Fine Arts), 25(1), 5–16.

Winch, S. (2010). The Deep Sleep of Contemporary Art (Athari, M. Trans.). Quarterly Journal of the Artist's Profession, 23, 46-47.

Zimran, M. (1999). An Introduction to the Semiotics of Art. Tehran: Qeseh Publishing.

Downloads

Published

2025-12-24

Issue

Section

Original Article