Conceptual Function in the Lack of Photomontage Philosophical Representation Gilles Deleuze Perspective
Article Sidebar
Main Article Content
Abstract
The philosophy of art work in postmodernist view is structuralist, and based on this issue, art cannot be considered as narrator because art as narrator based on structure, is dead art. According to structuralist view, Gilles Deleuze violates any representation in the visual arts. Therefore, by examining Deleuze's point of view, while identifying its lack of representation and explanation in photomontage, also explains the function of concepts in this field. The function of concepts in non-representation is only in the failure of the organizational structure and the creation of non-narrative works. The main question is what role does the concepts play in the lack of philosophical representation in photomontage? It has been assumed that concepts have a movement-oriented and creative role with the principle of being in photomontage. In conclusion, Deleuze, by violating narrative and being in the art of photography, considers photomontage to be a creative movement in fluidity that takes up time and space. The research method is done through library.
Downloads
Article Details
Copyright owner / Copyright holder:
Authors retain unrestricted copyrights and publishing rights. The author has complete control over the work (e.g., retains the right to reuse, distribute, republish, etc.).
Copyright Notice:
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), which allows others to:
Share — copy and redistribute the material in any medium or format;
Adapt — remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See: The Effect of Open Access).